While aimed at youths, this series of tales of the just-opening West makes a rollicking good story for adults, too. Three teen-age boys, trained as telegraphers, manage to get themselves in and out of a wide variety of harrowing circumstances. Using their knowledge of Morse code, the science of telegraphs, and the operation of railroads, the boys stir in native resourcefulness, quick-thinking, and when the occasion demands it, raw courage – to effect rescues, thwart thieves, and solve mysteries. If Tom Swift had lived in the nineteenth century, he could not have had more exciting escapades!

The Elements of Style (1918) by William Strunk, Jr. is an American English writing style guide. It is one of the best-known and most influential prescriptive treatment of English grammar and usage, and often is required reading in U.S. high school and university composition classes. The original 1918 edition of The Elements of Style detailed eight elementary rules of usage, ten elementary principles of composition, “a few matters of form”, and a list of commonly "misused" words and expressions...

Pat Travis, a spacer renowned for his luck, is suddenly quite out of it. His job is to beat his competitors to sign newly-Contacted human races to commercial contracts...But what can he do when he finds he's on a planet that consults astrology for literally every major decision - and he has arrived on one of the worst-aspected days in history?Michael Shaara, later to write the Pulitzer-winning novel "The Killer Angels", wrote this story for Fantastic Universe in 1956.

The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synomynous with hack literature; as an institution, Grub Street itself no longer existed in Gissing’s time. Its two central characters are a sharply contrasted pair of writers:Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and unscrupulous about writing and its purpose in the modern (i.e. late Victorian) world.

The Jubilee marks the fiftieth year of the reign of Queen Victoria. Dickensian in its sweeping scope of London life, Jubilee depicts the harsh and disreputable conditions of lower-middle class life at the end of the 19th century. (Introduction by S. Kovalchik)

George Gissing's 1893 novel takes on the 19th century "Woman Question" by looking at themes of feminism, marriage, and love. The novel raises these issues through the lives of several contrasting women: Mary Barfoot, a feminist philanthropist who helps train women for careers; her close friend Rhoda Nunn, who believes marriage is a disastrous choice for women; and Monica Madden, who starts out as one of their protegees but chooses to marry a seemingly kind older man. As Monica experiences the challenges of married life, Rhoda finds herself drawn to Mary's cousin, the charming but apparently profligate Everard.

Clarence and Emmeline Mumford are in for a real treat when they take in the young, outspoken Miss Louise Derrick as their guest. Shedding a light on class struggles in the Victorian era, The Paying Guest offers a look at just what "proper society" expects.

This sad social novel revolves around the problematic issue of money. Michael returns from Australia to London a rich man. However, he hides this fact from everybody and spends money only on the things he really needs. He contemplates leaving his money to his granddaughter Jane, under the condition that she donate at least most of it to charity. However, Jane is not sure she can do it. This novel tells much about working class life in 19th century London.

This novel consists of selections from the diary of an author, starting soon after his retirement and continuing until just before his death. There is very little in the way of plot, but a great deal of quiet musing about art, nature, society, and the things that make life worth living. Although this is a work of fiction, there are clear parallels between the narrator's life and Gissing's own life. This leads many commenters to view it as semi-autobiographical.

The Unclassed tells the story of two friends who are aspiring authors living in London in the late 19th century. Both of them fall in love. Both believe in social change but do not know how to bring it about. Both are sceptical about the values of their times. Both want respectability more then they would admit. This book, unlike many others of it's time, tells about working women, and includes honest descriptions of the slums of London.

"Richard Mutimer is delighted to inherit a large fortune. As a socialist, he means to use it well: he will open a factory in which workers would be treated well, he will advance his party's causes through his own wealth... At least, so he thinks. But reality may be far different. This novel raises more questions than answers. How much should money play in the marriage market, or can love have a prominent place? Can a man who gained power remain a socialist? This book is not only about political unrest...

This is the story of a poor young lady Emily Hood who while working as a governess falls in love with Wilfrid Athel the son of her employer. They become engaged, however things do not run smoothly after a visit home to her parents and Emily has to make a heartbreaking choice.

A guide for women to complement their dress to their surroundings, be it in their own home, on outings or on stage. Please note that there is a separate chapter with the captions of the fashion plates which can be found in the online text.

Robert Herrick (baptised 24 August 1591 – buried 15 October 1674[1]) was a 17th-century English lyric poet and cleric. He is best known for his book of poems, Hesperides. Herrick never married, and none of his love-poems seem to connect directly with any one beloved woman. He loved the richness of sensuality and the variety of life, and this is shown vividly in such poems as Cherry-ripe, Delight in Disorder and Upon Julia’s Clothes.

A poem for Halloween by the 17th century English author Robert Herrick. His poems were not widely popular at the time they were published. His style was strongly influenced by Ben Jonson, by the classical Roman writers, and by the poems of the late Elizabethan era. This must have seemed quite old-fashioned to an audience whose tastes were tuned to the complexities of the metaphysical poets such as John Donne and Andrew Marvell. His works were rediscovered in the early nineteenth century, and have been regularly printed ever since.