Miriam Henderson is one of what novelist Dolf Wyllarde (in her great work, The Pathway of the Pioneer) termed "nous autres," i.e., young gentlewomen who must venture forth and earn their living after their fathers have been financially ruined. Also, she has read Villette; she thus applies for and is offered a job teaching conversational English at a girls' school, albeit in Germany rather than France. Pointed Roofs describes her year abroad, as she endeavors to make her way in the hotbed of seething female personalities that populate the school, overseen by her employer, the formidable Fraulein...

Saint Catherine of Genoa (Caterina Fieschi Adorno, born Genoa 1447 – 15 September 1510) is an Italian Roman Catholic saint and mystic, admired for her work among the sick and the poor. She was a member of the noble Fieschi family, and spent most of her life and her means serving the sick, especially during the plague which ravaged Genoa in 1497 and 1501. She died in that city in 1510.In 1551, 41 years after her death, a book about her life and teaching was published, entitled Libro de la vita mirabile et dottrina santa de la Beata Caterinetta de Genoa...

The largest surviving body of Pliny's work is his Epistulae (Letters), a series of personal missives directed to his friends, associates and the Emperor Trajan. These letters are a unique testimony of Roman administrative history and everyday life in the 1st century CE. Especially noteworthy among the letters are two in which he describes the eruption of Mount Vesuvius in August 79, during which his uncle Pliny the Elder died (65 and 66 in this edition), and one in which he asks the Emperor for instructions regarding official policy concerning Christians (Trajan Letter 97)...

No exhaustive Canadian 'water history' can possibly be attempted here. That would require a series of its own. But at least a first attempt will be made to give some general idea of what such a history would contain in fuller detail: of the kayaks and canoes the Eskimos and Indians used before the white man came, and use today; of the small craft moved by oar and sail that slowly displaced those moved only by the paddle; of the sailing vessels proper, and how they plied along Canadian waterways,...

The House of Dust is a poem written in the four-movement format of a classical symphony. Hauntingly beautiful despite its bleak post-World War I depictions of human mortality and loss, the poem develops its movements around central images such as Japanese ukiyo-e ("floating world") woodblock prints, touching the reader's senses with endlessly evocative allusions to wind, sea, and weather. In this underlying Japanese sensibility and dependence on central perceptual images, Aiken's poem is similar to poetry of Imagists of the time such as Amy Lowell. Also deeply influenced by the concepts of modern psychology, Aiken delved deeply into individual human identity and emotion.