Randall Garrett had this story first published in Astounding Science Fiction September and October of 1959. His twisted sense of humor and gift for the bizarre situation with believable characters shines here. In the not too distant future, Ken Malone, young but promising FBI agent , is given the most important and difficult assignment of his career: find a spy who is stealing information from the Ultra Top Absolute Secret project to develop a non-rocket space ship at Yucca Flats Labs in Nevada. But this is not a normal spy, this spy laughs at the FBI and all attempts to find him or her because they use an unknown new method to steal the information directly from the minds of the scientists.

An alien crash lands on Earth, and for ten years terrorizes the planet, hiding, periodically killing and eating people and stealing materials for some unknown purpose. The only hope is Bart Stanton, a medically-engineered superman, designed for the sole purpose of confronting the “Nipe”.

A romantic comedy, written in 1918, but with a modern feel to it. Patricia Brent one day overhears two fellow-boarders pitying her because she “never has a nice young man to take her out”. In a thoughtless moment of anger she announces that the following night she will be dining out with her fiance. When she arrives at the restaurant the next day, she finds some of the fellow-boarders there to watch her, so, rendered reckless by the thought of the humiliation of being found out, she goes up to a young man sitting alone at a table, and asks him to help her by “playing up”. Countless complications and adventures ensue…

Isabella Bird began travelling while in her early twenties to help alleviate illness that had plagued her since childhood. She was a single woman in her early forties when she made her treck through the Rocky Mountains. A Lady’s Life in the Rocky Mountains details this fascinating account of her travels through a series of letters written to her sister, Henrietta. These letters are filled with beautiful, vivid descriptions of the scenery, the people she encountered, the way of life, and a mountain man named Jim Nugent, that was as rough as they come, but a complete gentleman with Ms...

Jeanne-Marie Bouvier de la Motte-Guyon (commonly known as Madame Guyon) (April 13, 1648 – June 9, 1717) was a French mystic and one of the key advocates of Quietism. Quietism was considered heretical by the Roman Catholic Church, and she was imprisoned from 1695 to 1703 after publishing a book on the topic, A Short and Easy Method of Prayer. This translation is by Thomas Taylor Allen was first published in 1897. Allen’s dates are unknown.

Originally published in 1685, Madame Guyon’s A Short and Easy Method of Prayer is considered a classic of Christian mysticism, influencing great writers and speakers such as John Wesley and Charles Spurgeon. In it, Madame Guyon carefully and briefly sets out her ‘unmethodical method’ by which any and all can commune with God at any time and under any circumstances.

This version of the classic tale of the three bears has a heroine named Golden Hair. The jolly bears, instead of chasing her away from their home, come to live with her at Grandmother’s house. The recording can be enjoyed by itself, or you can read along.

Sir Henry Morton Stanley is famously quoted for saying “Dr Livingstone, i Presume?”. Born in Wales, he migrated over to the United States at the age of 18, and eventually became an overseas correspondent for the New York Herald. In 1869 Stanley was told by James Gordon Bennett Jr to find Livingstone, a scottish missionary and explorer, who was lost in central Africa. When Stanley commented on the cost Bennett’s reply was: “Well, I will tell you what you will do. Draw a thousand pounds now; and when you have gone through that, draw another thousand, and when that is spent, draw another thousand, and when you have finished that, draw another thousand, and so on; but, FIND LIVINGSTONE.

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who “knew” the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately – and we are perhaps already aware of him as Wilde the self-destructive celebrity who uneasily fills the place of the premier gay icon and martyr in our contemporary view...