One of the greatest American novels and a popular culture sensation, The Wonderful Wizard of Oz depicts the adventures of the young Dorothy Gale, who is swept away from her colorless farm home in Kansas by a cyclone, and winds up in the magical Land of Oz. Trapped in an unknown land, Dorothy must find a way back home and subsequently embarks on an adventure and meets a group of colorful characters along the way. Serving as an inspiration throughout generations, the children’s novel has been represented through various cinema adaptations and musicals...

Published in 1915, The Scarecrow of Oz is the ninth book in the Oz book series and focuses on the adventures of Cap’n Bill, Trot, and the Scarecrow, who find themselves entangled in the politics of Jinxland and must work against formidable odds to overthrow its despot and restore rule to its rightful successor. Apart from the appearances of familiar faces, the novel also accommodates a fresh set of characters and magical creatures residing in the Land of Oz, further contributing to its classification as a typical Baum masterpiece...

Published in 1904, The Marvelous Land of Oz is the second book in Baum’s Oz series and follows the adventures of Tip, a young boy who travels the mystical Oz after running away from the terrifying witch Mombi. Furthermore, the novel reunites readers with familiar characters including the Scarecrow, Tin Woodman, Glinda the Good Witch, while also introducing bright new characters who deem to be just as memorable. Unlimited action, intense magic, captivating characters, and an unexpected twist, the adventure novel has remained a classic for generations, and has only strengthened the series appeal with its fresh intake on the familiar set...

Betsy Bobbin encounters many strange and exciting adventures and people in the land of Oz; a side-plot is Queen Ann of Oogaboo’s mission to take over Oz.

Who is stealing all the magic in Oz? Dorothy and her friends set out to comb all of Oz, not only for magic stolen from Glinda and the Wizard, but also for the kidnapped princess, Ozma. Along the way, they explore regions never seen in other Oz books, meeting strange and interesting people and animals, and falling into peril more than once. It’s a desperate mission – for if the thefts are all linked, then it means that some magician unknown to them has acquired powers beyond any available to them now. How will they find him? And how will they conquer him? Not one of them knows – but with continuing faith that goodness will triumph, they march forth to try.

Published in 1912, the fantasy novel focuses on the exciting adventures of Trot, Cap’n Bill and Button Bright, as they are accidentally transported to a mysterious island in the sky, where they encounter its eccentric residents, an unscrupulous ruler, and a strange set of laws. The story sets into motion when Trot, a little girl from the southern coast of California, and Cap’n Bill meet a peculiar young boy carrying a large umbrella. Introduced as Button Bright, the young boy reveals that...

The “Little Wizard Stories of Oz” are six short stories written by L. Frank Baum in 1913. By all accounts, Baum intended to finish the Oz series with “The Emerald City of Oz,” published in 1910. Following that, he attempted to write non-Oz books, publishing “The Sea Fairies” in 1911 and “Sky Island” in 1912. But, (as Baum himself laments in the prefaces of many of his Oz books,) his “little tyrants” were only interested in hearing more Oz stories. So in 1913, he returned to writing about Oz, putting out both The “Little Wizard Stories” and “The Patchwork Girl of Oz” that year...

A fairy has become bored with her life, and convinces some young girls to transform her into a human boy so she can go on adventures. The adventures come fast and furious, as the newly-named Prince Marvel explores the surrounding kingdoms. A masochistic squire accompanies Marvel, helping him with assorted kings, knights, dragons, and other medieval menaces along the way.

This collection of fantasy stories was originally serialized in regional newspapers, prior to being published as a complete volume. The stories, as critics have noted, lack the high-fantasy aspect of the best of Baum’s work, in Oz or out. With ironic or nonsensical morals attached to their ends, their tone is more satirical, glib, and tongue-in-cheek than is usual in children’s stories; the serialization in newspapers for adult readers was appropriate for the materials. (Introduction by Wikipedia and Matthew Reece)